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 Inks and Colour

Color Gamuts

  • The range of possible colours within a colour system.
  • Print: Inks
    • CMYK, even CMYKOG (Hexachrome)
    • Spot colour
  • Web: RGB

Color

  • Inks
    • CMYK
    • Spot colour
  • RGB

Printing Ink

  • Two parts
    • Pigment or dyes for colour
    • Vehicle to adhere colour to paper
      • Linseed oil, soybean oil, mineral oil or petroleum
      • Further adhesion from resins or other binding agents

Printing Ink

  • $10-billion per year global industry
    • 150,000 copies of an 80-page magazine requires about 68 gallons of ink
      (From Chemical & Engineering News, 1998)

Two types of printing ink

  • Opaque
    • Covers colour underneath
      • Paper or ink
  • Transparent
    • Lets colour through to create various colours, tints and shades.
      • Process colours

Other ink variations

  • Quick drying for high-speed production
  • Metallic inks such as gold & silver
    • May contain copper, brass (alloy of copper and zinc) and aluminum-based pigments
    • Toxic or heavy metals in inks are environmental issue
      • Those in metallic inks not considered a hazard
  • Fluorescent that glow
  • Perfumed
  • Slow drying for newspapers
    • Easily washed off press
    • Working toward water-based ink.
  • Hardening inks to prevent rubbing
  • Heat and light sensitive inks that change colour.
  • Electronic ink (e-ink), but not really ink (circuit board using batteries).

Colour

  • Important component of visual communication
  • Colour for sake of colour worse than no colour at all
    • Successful use requires correlating use with the objective of publication.

Reasons for using colour

  • Attract attention
  • Create mood
  • Eye appeal
  • Accent and contrast
  • Direct reader through message
  • Create identity or association
  • Aid retention

Colour to attract attention

  • Major use.
  • Applied to design elements of greatest importance.
  • Placed with discretion.
    • Cluttered or loud colour detracts from message.

Colour to create mood

  • Sometimes guided by nature, but other times by culture

Colour for eye appeal

  • Analagous colour combinations
    • Neighbouring 3 colours on the colour wheel create harmony

Colour to accent and contrast

  • Complementary colours
    • Opposites on the colour wheel
  • Triads
    • 3 hues at equidistance from one another on the colour wheel

Colour to direct readers

    • Colour guides the eye

Colour to develop associations

  • Associate with products
    • Coca Cola red
    • Kodak yellow
    • Big Blue (IBM)
  • Associate with life (Red Cross), moods (blue), or attributes (envy).

Colour to aid retention

  • Colour has high memory value.
    • A colour should predominate because it helps readers remember what they saw.

Cost of using colour

  • Cheapest use is colour paper.
  • Spot colour--adding individual colours.
    • Increase impact of printed piece.
    • Usually for single graphic elements.
    • Used to emphasize illustrations, type, initial caps, or rules.
    • Often a pre-mixed Pantone colour.

Variations with one colour

  • With one colour of ink, simultaneous printing of the solid colour and various tints achieved by screening:
    • Applying colour in dots in varying size and density,
  • Or printing type, tint blocks and art from screened negatives
  • White of paper creates tint.

 

Shading

  • You can also shade, or add black, to a solid colour.

 

 

 

 

 

This wheel shows how one color can be shaded (outside layers) or tinted (inside layers)

shade-tint wheel

More on colour

Mixing inks

  • Inks can be mixed by printing process
    • Dots of ink blended by the human eye.
CMYK
  • Inks can be premixed by the printer or manufacturer
    • Premixed according to Pantone Matching System.
premixed inks

Ink coverage

  • Colour ink on colour paper can change colour on the paper.
    • Opaque ink for truer colour on colour paper.
    • Process ink (transparent) will change colour on the coloured paper.

Process colours

  • Four process colours for full colour (CMYK):
    • Cyan (a blue-green)
    • Magenta (a red-violet)
    • Process yellow
    • Process black

Process separations overlay at angle

Four-colour process

  • Colour dots combine for colours, tones, shades (note "daisy" pattern)
  • Four colour-separations
    • One negative for each process colour
    • Each image impression positioned on the paper

Process halftone magnified

Process separations

  • Proper alignment of one colour with another is correct register.
  • Each colour prints in varying intensities.
  • Black added for depth and shading.



4-color line art

Four-colour line art.

  • Process inks used
  • Note uniform pattern of dots
    • No daisy pattern



4-colour process, plus

  • Five-colour runs
    • 4-colour process, plus 5th colour not derived from process colours
      • Metallic gold, silver, Gator orange.
  • Six-colour runs
    • All of above, plus 6th colour
      • Generally a spot colour for a border or headline.
    • Hexachrome
    • Dark/Light 6C & 8C

Hexachrome

  • 6-colour gamut of CMYKOG
  • Orange and green
    added to CMYK
  • Can achieve 90%
    of PMS colours
CMYOKG

Pantone Matching System

  • System of colour mixtures
  • The standard for colour printing.
  • Available in inks, paper, overlay film, marking pens.
    • Pantone library is in InDesign.
    • Printed samples show colours as they will appear on coated, uncoated papers, etc.
    • Includes metallic and fluorescent inks
Pantone color swatches


Spot Colour vs CMYK

  • There are CMYK approximates to PMS.
    • Not always 100% accurate
Pantone v. CMYK

Physics of colour

  • Colour comes from sunlight
    • Visible part of electromagnetic spectrum
    • Reflected ray is colour we see.

Colour values—the colour wheel

  • Primary triad (inks, not sunlight)
    • Red, yellow, blue.
    • Colours halfway between are secondary colours
      • 12 hues.

Ink color wheel

Colour Terminology

  • Hue--Colour.
    • Tone--Variations of hue.
  • Value--Relative darkness, lightness of colour.
  • Shade--Adding black to darken.
  • Tint--Adding white (paper) to lighten.
  • Chroma--Colour intensity:
    • Pigment saturation
    • Tendency to move toward or away from gray.

Psychology of colour

  • Warm colours advance
    • Red, yellow, orange.
      • Reds dominate and can overpower.
  • Cool colours recede.
    • Blue, violet, dark green.

 

Tips for using colour

  • Black type on white or pale yellow is best for readability.
  • One colour should dominate
    • Any other should be used for accent or contrast.
  • Warm colours are higher in visibility than cool colours.
  • Colour tints behind text make the information stand out.

Balance

  • From proper placement of elements by weight or visual emphasis.
    • Colour adds further weight, according to hue and value.

Rhythmic use of colour

  • Achieved through repetition at points in the printed piece.
  • Spots of colour can be used
    • To guide reader's eye through the message
    • For rhythm.

Background colours

  • Silver is good background colour
    • Provides
      • High contrast and
      • A sophisticated look.
    • Expensive in print
    • May require another run through the press for a coating of special varnish to prevent smearing.

Body type

  • Body type in any other colour is rarely as good as black on white.
  • Also effective (depending on objective):
    • Brown on buff
    • Blue or green on some shades of off-white
    • Use sparingly:
      • Best limited to occasional captions or other small areas that require special contrast
  • White text is usually not ink

Display type

  • Especially effective in colour.
  • Contrast to certain words in title
    • For attention and
    • Communication value of words.

Other applications of colour

  • Rules and borders
    • Can separate and draw attention to panels of text.
  • Typographical dingbats
    • Get special attention through colour
    • Create rhythm
  • Initial letters, stars, bullets, squares, etc.
  • Surprinting colour type over illustrations.

Computer colour modes

  • For print: CMYK
CMYK
  • For Web: RGB
    • 256 index colours
    • 216 browser-safe colours
      • On web, value is intensity.
      • RGB indicated by values (0-255) or percentages.
      • Or hexadecimal codes (hex triplets)
        • 00, 33, 66, 99, cc, ff

RGB

browser-safe color chart

X11 Colour Names

For further study: http://www.worqx.com/colour/index.htm

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