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Lectures
> Inks
& Colour
Inks
and Colour
Color Gamuts
- The range of possible colours within a colour system.
- Print: Inks
- CMYK, even CMYKOG (Hexachrome)
- Spot colour
- Web: RGB
Color
Printing Ink
- Two parts
- Pigment
or dyes for colour
- Vehicle
to adhere colour to paper
- Linseed
oil, soybean oil, mineral oil or petroleum
- Further
adhesion from resins or other binding agents
Printing Ink
- $10-billion
per year global industry
- 150,000
copies of an 80-page magazine requires about 68 gallons of ink
(From Chemical & Engineering News, 1998)
Two types of
printing ink
- Opaque
- Transparent
- Lets colour
through to create various colours, tints and shades.
Other ink variations
- Quick drying
for high-speed production
- Metallic inks
such as gold & silver
- May contain copper, brass (alloy of copper and zinc) and aluminum-based pigments
- Toxic or heavy metals in inks are environmental issue
- Those in metallic inks not considered a hazard
- Fluorescent
that glow
- Perfumed
- Slow drying
for newspapers
- Easily washed
off press
- Working
toward water-based ink.
- Hardening inks to prevent rubbing
- Heat and light sensitive inks that change colour.
- Electronic ink (e-ink), but not really ink (circuit board using batteries).
Colour
- Important component of visual communication
- Colour for sake
of colour worse than no colour at all
- Successful
use requires correlating use with the objective of publication.
Reasons for
using colour
- Attract attention
- Create mood
- Eye appeal
- Accent and contrast
- Direct reader
through message
- Create identity
or association
- Aid retention
Colour to attract
attention
- Major use.
- Applied to design
elements of greatest importance.
- Placed with
discretion.
- Cluttered
or loud colour detracts from message.
Colour to create mood
- Sometimes guided by nature, but other times by culture
Colour for eye appeal
- Analagous colour combinations
- Neighbouring 3 colours on the colour wheel create harmony
Colour to accent and contrast
- Complementary colours
- Opposites on the colour wheel
- Triads
- 3 hues at equidistance from one another on the colour wheel
Colour to direct readers
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Colour to develop
associations
- Associate with
products
- Coca
Cola red
- Kodak
yellow
- Big
Blue (IBM)
- Associate with
life (Red
Cross),
moods (blue),
or attributes (envy).
Colour to aid
retention
- Colour has high
memory value.
- A colour
should predominate because it helps readers remember what they
saw.
Cost of using
colour
- Cheapest use
is colour paper.
- Spot
colour--adding
individual colours.
- Increase
impact of printed piece.
- Usually
for single graphic elements.
- Used to
emphasize illustrations, type, initial caps, or rules.
- Often a
pre-mixed Pantone colour.
Variations with
one colour
- With
one colour of ink, simultaneous printing of the solid colour and various
tints achieved by screening:
- Applying
colour in dots in varying size and density,
- Or
printing type, tint blocks and art from screened negatives
- White
of paper creates tint.
| Shading
- You can
also shade, or add black, to a solid colour.
This wheel
shows how one color can be shaded (outside layers) or tinted
(inside layers) |
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More on colour
- See the Poynter
Institute's Website on colour
| Mixing
inks
- Inks can
be mixed by printing process
- Dots
of ink blended by the human eye.
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- Inks can
be premixed by the printer or manufacturer
- Premixed
according to Pantone Matching System.
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Ink coverage
- Colour ink on colour paper can change colour on the paper.
- Opaque ink for truer colour on
colour paper.
- Process ink (transparent) will change colour on the coloured
paper.
Process colours
- Four process
colours for full colour (CMYK):
- Cyan
(a blue-green)
- Magenta
(a red-violet)
- Process
yellow
- Process
black
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Four-colour process
- Colour
dots combine for colours, tones, shades (note "daisy" pattern)
- Four colour-separations
- One
negative for each process colour
- Each
image impression positioned on the paper
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- Proper
alignment of one colour with another is correct register.
- Each colour
prints in varying intensities.
- Black
added for depth and shading.
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Four-colour
line art.
- Process inks used
- Note uniform
pattern of dots
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4-colour process, plus
- Five-colour
runs
- 4-colour
process, plus 5th colour not derived from process colours
- Metallic
gold,
silver,
Gator
orange.
- Six-colour runs
- All of above,
plus 6th colour
- Generally
a spot
colour
for a border or headline.
- Hexachrome
- Dark/Light 6C & 8C
Hexachrome
- 6-colour gamut of CMYKOG
- Orange and green
added to CMYK
- Can achieve 90%
of PMS colours
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| Pantone
Matching System
- System
of colour mixtures
- The standard
for colour printing.
- Available
in inks, paper, overlay film, marking pens.
- Pantone
library is in InDesign.
- Printed
samples show colours as they will appear on coated, uncoated
papers, etc.
- Includes metallic and fluorescent inks
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Spot Colour vs CMYK
- There are CMYK approximates to PMS.
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Physics of colour
- Colour comes
from sunlight
- Visible part of electromagnetic spectrum
- Reflected
ray is colour we see.
Colour values—the colour
wheel
- Primary triad (inks, not sunlight)
- Red, yellow, blue.
- Colours halfway between
are secondary colours
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Colour Terminology
- Hue--Colour.
- Value--Relative
darkness, lightness of colour.
- Shade--Adding
black to darken.
- Tint--Adding
white (paper) to lighten.
- Chroma--Colour
intensity:
- Pigment saturation
- Tendency to move toward or away from gray.
Psychology of
colour
- Warm colours
advance
- Red,
yellow,
orange.
- Reds
dominate
and can overpower.
- Cool colours
recede.
- Blue,
violet,
dark
green.
Tips for using
colour
- Black type on
white or pale yellow is best for readability.
- One colour should
dominate
- Any other
should be used for accent or contrast.
- Warm colours
are higher in visibility than cool colours.
- Colour tints behind text make the information stand out.
Balance
- From proper
placement of elements by weight or visual emphasis.
- Colour
adds
further weight, according to hue and value.
Rhythmic use
of colour
- Achieved through
repetition at points in the printed piece.
- Spots
of colour can
be used
- To guide
reader's eye through the message
- For rhythm.
Background colours
- Silver
is good
background colour
- Provides
- High
contrast and
- A sophisticated
look.
- Expensive
in print
- May require
another run through the press for a coating of special varnish
to prevent smearing.
Body type
- Body type in
any other colour is rarely as good as black on white.
- Also effective
(depending on objective):
- Brown on
buff
- Blue or
green on some shades of off-white
- Use sparingly:
- Best
limited to occasional captions or other small areas that require
special contrast
- White text is
usually not ink
Display
type
- Especially effective
in colour.
- Contrast to
certain words in title
- For attention
and
- Communication
value of words.
Other applications
of colour
- Rules and borders
- Can separate
and draw attention to panels of text.
- Typographical
dingbats
- Get special
attention through colour
- Create rhythm
- Initial
letters, stars, bullets, squares, etc.
- Surprinting
colour type over illustrations.
Computer colour
modes
X11 Colour Names
- 140 colour names using RGB combinations used on modern computers.
For further study:
http://www.worqx.com/colour/index.htm
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