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Notes > Paper & Printing

Paper & Printing
By Linda M. Perry

Papermaking Machine
  • Fourdrinier section
    • Treated "stock" or pulp:
      • 1% pulp, 99% water.
      • Forced through tiny straining slots onto woven wire mesh.
    • Wire mesh is moving, endless screen, constantly vibrating.
      • Interweaves, mats fibers.
      • Fibers tend to flow lengthwise.
        • Directional tendency is grain.
Fourdrinier screen
  • Dandy roll applies first surface pressure to top of paper. Used for watermarking.
    •  Watermark: A distinctive design; usually imprint of manufacturer’s name.
      • Becomes an integral part of paper.
      • Design formed with wire and attached to dandy roll, which impresses it into the wet paper.

The paper is formed into continuous roll, or web.

webs

  •  Web is strong enough without screen to pass into press section of machine.
    • Web is picked up by continuous strip of wool felt.
    • Felt carries it through presses, multiple pressing and smoothing rollers.
    • Top surface of the paper is felt side.
      • Accepts printing better.
    • Bottom surface is wire side.
    • From the presses, the paper moves unsupported to the drying section.
    • Last step is calendering
    • Calendering--Stack of 5 to 9 rollers incorporated into the dry end.
      • For ironing and smoothing.
      • Adds to gloss of finish.
      • All paper known as machine-finished (wood paper)


 Out of machine

  • Supercalendering
    • Extra step outside papermaking machine
    • Used for magazines and booklets.
    • Finished by stack of calender rolls.

  • Coated stock
    • (art paper)
    • Smooth, shiny finish.
    • Web passes through vat with coating mixture.
      • Coating emulsion adheres to paper.
      • White china clay mixed with other agents.
    • Gloss produced by supercalendering.
    • Retains more ink on surface.
      • More brilliant, denser color, so best for color pictures.

 Definitions

  • Ream—500 sheets
  • Basis size—Standard size of given paper grade.
    • The size in which paper is normally and most conveniently produced.
    • Book stock is 25” x 80” (63.5 cm x 96.52 cm).
  • Basis weight—Weight of ream of basis size.
    • 500 sheets of 25" x 38" at 70 lbs. = basis 70
      • (63.5 cm x 96.52 cm at 31.75k, or 105.35 grams per square meter [gsm])
        • Individual sheet is 70-lb. stock, or substance 70
  • Caliper thickness—Heavy stock, measured with micrometer.

 
Major Classifications:

  • Book stock—25" x 38"  (63.5 cm x 96.52 cm)
    • From 45 to 120 lb. (67.7 to 54.43 k)
  • Writing stock—17" x 22"
    • Bond papers from 9 to 24 lb. (60 to 90 gsm; 80 gsm close to 20 lb bond)
    • Ledger papers from 24 to 40 lb. (90 to 150 gsm)
    • Manifold (onion skin) 9 lb.
  • Cover stock—20" x 26"
    • 50 and 80 lb.
    • Heavier is measured in caliper thickness.

International conversions for equivalent weights at http://www.paper-paper.com/weight.html.


Singapore conventions:

  • Thin paper, 70-110 gm (writing stock)
  • Thick paper, 120-160 gm (writing to cover stock)
  • Super thick, 170-260 gm (cover to caliper thickness)
  • A5 128 gsm art paper (book stock, coated, glossy)
  • A5 157 gsm art paper (cover stock, coated, glossy)
  • A4 and A3, 128 gsm art paper (book stock, coated, glossy)
  • A4 and A3, 157 gsm art paper (cover stock, coated, glossy)

Your Magazine

  • Choose a weight that works well for self-cover magazine
    • Super-calendered is good
    • Coated more expensive
    • Weight between 120-160 gms
    • Basis size for signature

Offset Printing

  • Offset printing, or offset lithography
    • Photographic lithography
    • Difference between image & nonimage areas are maintained chemically
      • Based on principle: grease (oil) & water don’t mix
        • Printing area is grease-, ink-receptive
        • Nonprinting areas are water-receptive, ink-repellant
        • Plates are kept moistened with rollers
          • Nonprinting areas moistened, repelling ink
          • Ink adheres to image areas
  • Composite negatives (called flats) printed on photosensitive metal plates. (positives)
    • Being replaced by computer-to-plate techniques
    • One plate for each color
    • Wraps around platen on press
  • Plate "offsets" image to a rubber blanket (negative) which puts the ink on paper.
    • Image goes from positive (on plate)
    • to negative (on blanket)
    • to positive (on paper) again.
  • Inexpensive.
  • High quality, clearer impression.
  • Uses less ink than other methods
    • Decreases drying time and
    • Minimizes smudging.